Best Of

100 Best Movies to Watch Before You Die — The Definitive List

The 100 films that define cinema. From Citizen Kane to Parasite, from Kurosawa to Kubrick — the movies every human should see at least once.

10 FILMS·April 2026·By MoviesPack

Section 1

Before You Object

Any "best movies" list will piss off someone. Leave out *Citizen Kane* and the cinephiles revolt; include *Citizen Kane* and everyone under thirty says "it's boring." This list is our honest answer to **what 100 films you should see before you die** — weighted for historical importance, narrative craft, emotional weight, and the simple fact of whether you'd recommend them to a friend. We cross-referenced IMDb's top 250, Letterboxd's highest-rated, the Sight and Sound poll, and — crucially — our own 97,000-movie database's audience-vs-critic consensus to build this. A few films you expected aren't here (*The Godfather III*, sorry). A few films you didn't expect are. That's the point. Organized by rank. Each entry links to our tool pages so you can find [similar films](/similar/parasite), [streaming availability](/where-to-watch/parasite), and [rating breakdowns](/ratings/parasite).

Section 2

The Top 10

Parasite

2019

The first foreign-language film to win Best Picture, and it did so by sneaking up on you. Starts as a con-artist dark comedy, swerves into thriller, then becomes something harder to name. Bong has spent his career mixing genres without asking permission, and Parasite is the film where everything locked. The architecture of that house alone — the way the camera navigates stairs, basements, and class — is film-school syllabus material. Similar films →

The Godfather

1972

The case against The Godfather is that everyone has seen it. The case for it is that everyone has seen it for a reason. Coppola's adaptation of Puzo's novel is a three-hour operatic descent from hopeful young Michael to the man closing the door on his wife in the final shot. Marlon Brando's jaw, Gordon Willis's underlit cinematography (he was called "the Prince of Darkness" for this film), Nino Rota's score — every element is doing its job at 100%. Similar films →

2001: A Space Odyssey

1968

The film that broke cinema's default language. Kubrick took 149 minutes and only 40 of them include dialogue — the rest is visual grammar. The match cut from the bone to the space station is still the best edit in film history. The HAL 9000 sequence invented every AI-horror trope that came after. The ending is intentionally incomprehensible and you'll either love or hate it, both of which are valid. Similar films →

Citizen Kane

1941

Welles was 25 when he made this. The film invented or codified low-angle shots, deep focus, narrative fragmentation, unreliable narration, and the "great man brought low" arc that half of prestige TV still copies. If it feels dated, that's because every film since has stolen from it. Similar films →

Seven Samurai

1954

Kurosawa's three-and-a-half-hour epic is where the modern team-assembly genre comes from. Every heist movie, every Avengers, every A Bug's Life, every Magnificent Seven — they all trace to this. But strip away the influence and it's still a devastating film about honor, class, and what it costs to defend people who won't thank you. The final battle in the rain is one of cinema's greatest set-pieces. Similar films →

The Shawshank Redemption

1994

A box-office flop that became the #1 film on IMDb for years because of word-of-mouth. Andy Dufresne's 19-year patience is the emotional engine, and Morgan Freeman's Red is the humane witness. Everyone knows the ending. The film works anyway — because by the time you get there, you've earned it. Similar films →

Pulp Fiction

1994

The film that made 1994 the best year of the 1990s (with Shawshank and Forrest Gump in the same Best Picture race). Tarantino's non-linear structure wasn't new — Citizen Kane did it 53 years earlier — but the combination of pop-culture monologue, sudden violence, ironic needle-drop soundtrack, and genuine craft was. Spawned a decade of imitators and a career from which Tarantino has never meaningfully evolved. Similar films →

Schindler's List

1993

Spielberg's most serious film, and the hardest to recommend because of how relentless it is. Shot in black and white (with one famous color exception) because Spielberg said color would make it feel like artifice. Liam Neeson's Schindler goes from opportunist to savior and the film never overplays the turn. Necessary viewing, once. Similar films →

Goodfellas

1990

Scorsese's other mob film is often called better than The Godfather by people who've actually rewatched both. Faster, funnier, darker — Henry Hill's voice-over is one of the great narrative devices in film, and the Copacabana tracking shot has been imitated a thousand times because of what it tells you in one unbroken take about power. Similar films →

Spirited Away

2001

The highest-grossing Japanese film ever made when it came out, and the one that introduced most of the West to Miyazaki. A ten-year-old girl's family accidentally enters a bathhouse for spirits, her parents are turned into pigs, and she has to work to save them. It's quieter than American animation dares to be — whole scenes with no dialogue, just wind and water — and that quietness is the point. Similar films →

Section 3

11–25: The Next Tier

11. **The Dark Knight** (2008) — Ledger's Joker reset what a comic-book movie could be 12. **Lord of the Rings: The Fellowship of the Ring** (2001) — the trilogy's most perfect hour-for-hour 13. **Blade Runner 2049** (2017) — rare sequel that justifies its existence 14. **In the Mood for Love** (2000) — Wong Kar-wai's devastating restraint 15. **Come and See** (1985) — Klimov's war film that treats war as horror 16. **Fight Club** (1999) — Fincher's punchline film that most fans still miss 17. **Apocalypse Now** (1979) — Coppola's Vietnam descent 18. **There Will Be Blood** (2007) — PT Anderson and Day-Lewis at their peaks 19. **No Country for Old Men** (2007) — Coen brothers' cleanest thriller 20. **Whiplash** (2014) — Chazelle's drumming-horror movie 21. **Casablanca** (1942) — the blueprint for Hollywood romance 22. **Mulholland Drive** (2001) — Lynch's nightmare of Los Angeles 23. **Rear Window** (1954) — Hitchcock's voyeurism thesis 24. **Vertigo** (1958) — Hitchcock's better film, full stop 25. **Sunset Boulevard** (1950) — Wilder's Hollywood poison

Section 4

26–50: Essential Watches

26. **Taxi Driver** (1976) — Scorsese and De Niro's urban alienation 27. **Chinatown** (1974) — Polanski's noir 28. **The Good, the Bad and the Ugly** (1966) — Leone's masterpiece 29. **Persona** (1966) — Bergman's identity puzzle 30. **Rashomon** (1950) — Kurosawa invented the unreliable narrator for film 31. **8½** (1963) — Fellini's self-portrait 32. **Annie Hall** (1977) — Allen's funniest + truest 33. **The Silence of the Lambs** (1991) — Demme's horror-procedural 34. **Rocky** (1976) — Stallone earned every frame 35. **One Flew Over the Cuckoo's Nest** (1975) — Nicholson vs. Fletcher 36. **Lawrence of Arabia** (1962) — Lean's desert epic 37. **Eternal Sunshine of the Spotless Mind** (2004) — Kaufman + Gondry + heartbreak 38. **Oldboy** (2003) — Park Chan-wook's revenge 39. **Amélie** (2001) — Jeunet's whimsical Paris 40. **City of God** (2002) — Meirelles' Rio favela epic 41. **Pan's Labyrinth** (2006) — Del Toro's dark fairy tale 42. **The Lives of Others** (2006) — East German surveillance drama 43. **Life Is Beautiful** (1997) — Benigni's Holocaust fable 44. **Moonlight** (2016) — Jenkins' three-act identity 45. **12 Angry Men** (1957) — Lumet's one-room thriller 46. **Raiders of the Lost Ark** (1981) — Spielberg + Ford = adventure blueprint 47. **Jurassic Park** (1993) — still holds up 48. **Star Wars: The Empire Strikes Back** (1980) — the only OT sequel that matters 49. **Aliens** (1986) — Cameron's sequel transcends 50. **The Matrix** (1999) — Wachowskis changed visual language

Section 5

51–75: Modern Classics + Forgotten Gems

51. **Everything Everywhere All at Once** (2022) — Daniels' maximalist love letter 52. **Past Lives** (2023) — Celine Song's quiet devastation 53. **Anatomy of a Fall** (2023) — Triet's courtroom/marriage drama 54. **The Zone of Interest** (2023) — Glazer's Auschwitz-adjacent horror 55. **Oppenheimer** (2023) — Nolan's biggest film 56. **Poor Things** (2023) — Lanthimos + Emma Stone 57. **The Substance** (2024) — Fargeat's body horror 58. **Dune: Part Two** (2024) — Villeneuve's desert opera 59. **The Banshees of Inisherin** (2022) — McDonagh's fable 60. **The Worst Person in the World** (2021) — Trier's Oslo portrait 61. **Drive My Car** (2021) — Hamaguchi's three-hour conversation 62. **Portrait of a Lady on Fire** (2019) — Sciamma's painterly romance 63. **The Lighthouse** (2019) — Eggers + Dafoe + Pattinson 64. **Uncut Gems** (2019) — Safdie brothers' anxiety attack 65. **Get Out** (2017) — Peele's horror debut 66. **La La Land** (2016) — Chazelle's musical love letter 67. **Arrival** (2016) — Villeneuve's linguistics 68. **Mad Max: Fury Road** (2015) — Miller's two-hour chase 69. **Whiplash** (2014) 70. **The Grand Budapest Hotel** (2014) — Anderson's peak whimsy 71. **Her** (2013) — Jonze's prescient AI romance 72. **Gravity** (2013) — Cuarón's 90-minute panic attack 73. **Inside Llewyn Davis** (2013) — Coens' folk-scene melancholy 74. **A Separation** (2011) — Farhadi's Iranian legal drama 75. **Tree of Life** (2011) — Malick's cosmic autobiography

Section 6

76–100: The Rest of the Canon

76. **The Social Network** (2010) — Fincher + Sorkin + Facebook 77. **Inglourious Basterds** (2009) — Tarantino's best film this century 78. **WALL·E** (2008) — Pixar at its best 79. **Ratatouille** (2007) — Pixar's other best 80. **Children of Men** (2006) — Cuarón + one-take genius 81. **The Departed** (2006) — Scorsese finally got his Oscar 82. **Spirited Away** (2001) — already ranked, deserves double mention 83. **Memento** (2000) — Nolan's puzzle-box debut 84. **Requiem for a Dream** (2000) — Aronofsky's addiction descent 85. **Magnolia** (1999) — PT Anderson's sprawl 86. **Being John Malkovich** (1999) — Jonze's debut 87. **American Beauty** (1999) — yes, despite everything 88. **The Sixth Sense** (1999) — Shyamalan peaked here 89. **L.A. Confidential** (1997) — noir done right 90. **Fargo** (1996) — Coens' first masterpiece 91. **Heat** (1995) — Mann's crime epic 92. **Braveheart** (1995) — Gibson's flawed but monumental 93. **The Usual Suspects** (1995) — Keyser Söze 94. **Se7en** (1995) — Fincher's breakthrough 95. **Unforgiven** (1992) — Eastwood's revisionist western 96. **Silence of the Lambs** (1991) 97. **Do the Right Thing** (1989) — Spike Lee's crown 98. **Amadeus** (1984) — Forman's Mozart vs. Salieri 99. **Blade Runner** (1982) — Scott's cyberpunk 100. **Tokyo Story** (1953) — Ozu's devastating family portrait

Section 7

How to Use This List

Don't try to watch all 100 in a month. Pick one a week and [find similar films](/similar/parasite) after each one to build momentum. If you're not sure where to start, hit our [discover tool](/discover) with your mood filter — it'll pick one of these for you based on what you're in the mood for tonight. If ranking lists is your thing, we're running [community polls on rewatchable MCU, best Nolan, best Villeneuve, and more](/polls). Your votes shape the rankings. Next reads: [50 Best Horror Movies](/blog/best-horror-movies), [40 Best Comedy Movies](/blog/best-comedy-movies), [30 Underrated Movies Nobody Talks About](/blog/underrated-movies), and [all 70+ articles in our blog](/blog).

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