★Now Showing — Films, Shows, and the Tools to Pick Them★
MOVIESPACK.
●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●
Other Mommy
Weekly

Sorkin Indicts Facebook, Other Mommy Haunts the Weekend

This week in movies and TV: Aaron Sorkin's The Social Reckoning and Rob Savage's Other Mommy open in theaters, Doing Life hits Netflix, plus what's airing now, the new releases coming next, and what everyone is arguing about online.

Friday, October 9, 2026 · By MoviesPack

Last week I told you Tom Cruise was gambling and the book club was the house. The house is winning. The early box office chatter on r/boxoffice had Verity topping the Wednesday $1M club at $2.4 million, while Digger pulled in an estimated $730K from more than 3,300 locations. For a Tom Cruise and Iñárritu event movie, that is a quiet midweek. It's also not a verdict, because Digger's audience score is a healthy 7.5 and these things have legs or they don't. But the story of fall movie season so far is that the prestige gamble is wobbling while the paperback thriller keeps stacking money.

This weekend gives us a cleaner contrast than anyone planned. In one corner, the most talkative screenwriter in America takes on the most powerful social network in the world. In the other, a ninety-minute horror movie about a child and a thing that wears her mother's face. They open the same day, and the fight for the weekend is the fun part.

The talky one

The Social Reckoning

The Social Reckoning (2026)

Aaron Sorkin already made the Facebook movie once, and it was a masterpiece about a very specific kind of loneliness. This is the sequel nobody asked for and everybody quietly wanted. The Social Reckoning picks up the story at the whistleblower end of it: Frances Haugen, a young Facebook engineer, teams up with Wall Street Journal reporter Jeff Horwitz and sets out to leak the company's most closely guarded secrets. It's a thriller built out of documents, lawyers and a very large number of people deciding what to be afraid of. It lands in theaters today, and I'm curious about one thing above all. The first film was about a founder. This one is about an institution, and institutions are harder to put at the center of a drama because they don't have a face to close in on. Sorkin's trick has always been to find the human argument inside the systems argument, and a single engineer carrying a stack of paper out the door is as good a human argument as he could have asked for. The audience score is sitting at 8.0 so far, but only a couple dozen people have voted, so treat that as a rumor. When it's streaming you can check where to watch it, and the similar-films page is the shortcut if you want more movies where people in rooms talk too fast about important things.

The scary one

Other Mommy

Other Mommy (2026)

Other Mommy is the horror pick, and the setup is one of those premises that works because a kid could explain it at recess. Young Bela forms a relationship with a sinister entity in her home that looks uncannily like her own mother, and the thing gets darker the closer she gets. The director is Rob Savage, who has a talent for making a modest budget feel like it's pressing on your chest, and Jessica Chastain stars. The runtime is a lean 93 minutes, which for horror is an act of mercy. The buzz leans positive (an 8.2 on a small early sample), and r/movies spent most of the week passing around the poster and speculating about how much of the film is a metaphor and how much is just a very bad day at home. On r/boxoffice there was a prediction that Other Mommy would scare competition away from The Social Reckoning, which is the kind of line that tends to be right about horror and wrong about adults who like Sorkin. If you want the full scream-in-the-dark experience, the ratings page will track how it holds up.

The one you can watch tonight

Doing Life

Doing Life (2026)

Not everything this week needs a theater. Doing Life arrived on Netflix on October 2, and it has been quietly climbing our database ever since, sitting at 7.7 with a bigger early vote count than either of this weekend's openers. It's a letters story: a single mother and an incarcerated man begin writing to each other and slowly build something neither expected. It runs nearly two hours and reads exactly like a film that knows it's going to make a lot of people cry on a couch. If your week has been loud, it's the quiet option.

Also out, briefly

The rest of the slate is global and a bit scattered. Bollywood's Drishyam: The Conclusion closes out the family-secret thriller series, with Vijay Salgaonkar's buried past resurfacing as fresh evidence reopens the investigation. The animal-attack movie Boiúna: Legend of the Amazon sends a medical mission into the jungle to meet a colossal ancient predator, and it's rated the lowest of the lot, so it's strictly for people who already know why they'd want it. And if last week's true-crime appetite is still alive, Unabomber follows Ted Kaczynski from Harvard prodigy to the manhunt that ended it.

What's worth your couch time

I pulled TMDB's list of what's airing right now, and it is a monument to television's two permanent modes. Talk shows and soaps. Late-night, daytime, a Dutch soap that has run since 1990, and a long line of procedurals. Nothing wrong with that, but it's not where the conversation is. The two series on the list that I'd actually point you at are the prestige pair.

MobLand is the big crime drama of the moment, built on a simple and brutal idea: two mob families clash in a war that threatens to take everyone down with it. And Slow Horses remains the most reliably fun spy show around, a dysfunctional team of MI5 rejects led by the gloriously foul Jackson Lamb. It currently holds an 8.0 on TMDB. If you've never started it, the episodes are short and the pleasure is immediate. For something familiar, Grey's Anatomy is still airing too, now old enough that some of its viewers were born after the pilot.

Coming next

The next two Fridays are heavy. On October 16, Disney opens Whalefall in around 3,000 locations. It's the one I'm genuinely curious about: a man dives off the California coast looking for his late father's remains and gets swallowed by a sperm whale, with one hour of air to figure out the way out. That's a movie that either works as a pressure-cooker or collapses into a very expensive joke. The same day brings the video-game fighter Street Fighter, set in 1993 as Ryu and Ken are pulled into a tournament by the mysterious Chun-Li, and You Can See Everything.

October 17 through 21, Studio Ghibli's Spirited Away returns to theaters for its 25th anniversary. If you've only watched it on a laptop, this is your correction. The weekend after, Wicker is listed for October 21, with Olivia Colman, Peter Dinklage and Alexander Skarsgård in a story about a woman who commissions a basket maker to weave her a husband, the animated fantasy Wildwood opens, and on October 23 DC's Clayface follows a rising Gotham movie star whose miracle treatment fixes his face and breaks something else. One box office tracker is already pencilling in around $20 million for it. Then October 30 brings The Mongoose, where a falsely accused war hero leads police on a televised cross-country car chase while the public roots for him. It's already one of the most-watched upcoming titles in our database, so somebody out there is excited.

What everyone's talking about

The r/movies megathread this week was The Social Reckoning and Other Mommy, with the usual throwbacks bundled in. The board also lit up for a James McAvoy AMA scheduled for Friday morning, a reminder of what a ridiculous range he has between Split and Atonement.

The business stories were bigger than the movies. The sheer size of David Zaslav's reported payout from the Paramount and Warner Bros. merger had both subreddits doing arithmetic out loud, and a Paramount adaptation of the video game Cyberpunk 2077 was announced as in the works. Over on r/boxoffice, DC Studios' early development slate for the Brave and the Bold, Teen Titans, Swamp Thing and Wonder Woman got people dreaming and doubting at once, and there was a nervous thread about whether Disney is quietly burying Hexed before its November release.

The sweetest pieces were about older films. Guillermo del Toro said more than 1,300 artists helped turn Pan's Labyrinth into a 3D theatrical experience, The Departed turned 20, and a new poster for Ken Russell's The Devils made the rounds. A thread asking which film had no right being as good as it was became a long, happy argument that also pulled in Zodiac. If you'd rather skip the discourse, our Discover tool will hand you something in about ten seconds, no comment section required.

The bottom line

If you want to be part of the weekend, see Other Mommy in a full theater, because horror needs a room. If you want to be impressed, see The Social Reckoning. If you want to stay in, watch Doing Life or finally start Slow Horses. And next Friday, a man in a whale's stomach gets his turn.