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September Goes Dark, and a Game Trailer Wins the Week

This week in movies and TV: new releases have all but vanished, a Grand Theft Auto VI trailer is outdrawing actual films, The Runner is the only wide release standing, and television is carrying the entire month.

Friday, September 4, 2026 · By MoviesPack

This Week in Movies & TV

Here is the strangest fact about the first week of September 2026: the single most-watched new "release" on the movie databases right now is not a movie. It is a video game trailer. Rockstar's extended look at Grand Theft Auto VI is sitting near the top of the charts with a 9.0 average from a few hundred people who took the time to log in and rate a piece of marketing, and it is genuinely outdrawing most of what actually opened in theaters over the past two weeks.

That is not a joke at Rockstar's expense. It is a diagnosis of the calendar. The summer is spent, awards season has not started, and the studios have collectively left the building. What is left this week is one thriller, one sequel nobody expected, and an eight-week-old adaptation of a 3,000-year-old poem that refuses to leave. Television, meanwhile, is having the best month it has had all year.

So this week's digest tilts. Fewer movies, more couch.

The Runner

The Runner (2026)

The only new release with real weight behind it, and it is a lean one. A high-powered London attorney gets a call from a stranger who has taken her son, and the rest of the film is her moving through the city doing exactly what the voice tells her, one instruction at a time, with the clock always visible. If that structure sounds familiar, it should. This is the phone-in-your-ear thriller, a form that runs from Cellular through Nick of Time, and it lives or dies on whether the lead can hold a camera that never really leaves her face. The early numbers say it works without transcending. It is sitting around a 6 out of 10 with a small but growing pool of votes, which in practice usually means competent tension, a third act that stops being surprising, and a very good performance doing a lot of load-bearing work. That is not nothing on a weekend where the alternative is a rerun. If you want to know whether it is playing near you or already available at home, where to watch The Runner has the current picture, and the full rating breakdown is worth a look before you commit two hours. If the premise appeals more than this particular execution does, the films most like it will get you to the better versions.
Fall 2

Fall 2 (2026)

Nobody had this on their card. The original Fall was a 2022 curiosity that made a lot of money out of almost nothing: two women, one radio tower, 2,000 feet of air. The sequel moves the setup to Mount Kwan in Thailand and strands two climbers thousands of feet up with no way down, which is to say it does the only thing a sequel to this movie could possibly do. I have a soft spot for this kind of filmmaking. One location, one problem, no subplot, no mythology, and a running time that respects you. The vertigo does the acting. Whether the trick works twice is the whole question, and the handful of early ratings are too thin to call it either way. If it clicks for you, the original Fall is still the purer version of the idea, and the sequel's neighbors point toward the wider survival-thriller shelf.
LEGO Star Wars: The Mandalorian

LEGO Star Wars: The Mandalorian (2026)

A Disney+ special rather than a theatrical event, pitched squarely at the household with a seven-year-old in it. Mando and Grogu turn up at a party thrown in their honor, everyone starts telling war stories, and a pirate crew shows up to ruin it. The LEGO Star Wars specials have quietly been the most reliably charming corner of that franchise for a decade now, largely because they are allowed to be funny about it, and this one is landing north of 7 with early viewers. It runs about 40 minutes and costs you nothing extra. Put it on. If you want more in the same key, the related titles here run through the rest of the animated corner.

The rest of the shelf

The genuinely interesting small release of the fortnight is Just Play Dead, a nasty little two-hander about a criminal who plans to fake his own death for the insurance money while framing his wife's lover for it, and a wife who has independently decided to kill him for real and keep everything. Two people plotting against each other while pretending not to. It is scoring close to 7 with a small audience, which for a film with no marketing budget usually means somebody found something.

Over on Disney+, Yellow Mirror is The Simpsons doing a Black Mirror riff across two short segments: a lamp that tells Homer something he does not want to hear, and an AI tablet that gets far too attached to Maggie. It is sitting at an 8, a higher score than The Simpsons has earned for anything in some time. Anime fans finally got Puella Magi Madoka Magica: Walpurgisnacht Rising, which arrived with almost no ratings and a great deal of very intense discourse.

Then there are the holdovers, which are still doing the actual business. The Odyssey has extended its IMAX 70mm run into September and pushed IMAX ticket sales past $450 million, an absurd figure for a film with no cape in it, and it remains the most in-demand title on the site by a distance. Spider-Man: Brand New Day is still second. Behind them, Coyote vs. Acme has become one of those word-of-mouth successes people actively press on their friends, and both The Whisper Man and Mutiny are still pulling steady traffic from viewers catching up.

What is worth your couch time

This is where September actually lives. Lanterns is the story of the month: episode three pulled 10 million global viewers, up from 9.3 million for the premiere, which puts it in HBO Max's top five series launches ever. A DC show growing week over week instead of collapsing is rare enough to be news on its own.

Silo closes out its third season this week, so if you have been waiting for the full run before starting, that wait is over. Reacher is mid-run and remains the most in-demand thing on television, which surprises absolutely nobody who has met a Reacher fan. Lioness is still going, Ted Lasso is somehow back and airing again, and Abbott Elementary has started its sixth season with the confidence of a show that knows exactly what it is. Star Trek: Strange New Worlds is still generating the most affectionate arguments on television.

Two things for the calendar rather than the queue: a Band of Brothers legacy trailer dropped this week, and HBO Max has dated Supergirl for streaming on September 10. If you missed Supergirl in theaters, that is your date.

Coming next

The next three weeks are thin but not empty. Practical Magic 2 lands on September 9, bringing the Owens sisters back to face the family curse one more time, and the early temperature on it is not warm. Read it as a nostalgia play rather than a real sequel, and revisit the 1998 original if you want the version people actually love.

September 16 brings a new Resident Evil, rebooting the franchise as one bad night in the life of a medical courier, which is a smaller and smarter pitch than the series has used before. September 19 gives us Heart of the Beast, about a Special Forces officer and his combat dog stranded in the Alaskan wilderness after a plane crash, and I would bet money that dog is the best-reviewed element in it. Then September 23 delivers The Love Hypothesis, the fake-dating academic romance adapted from the enormously popular novel, and if you have been anywhere near book social media in the last four years you already know whether that sentence excites you.

What everyone is talking about

The film subreddits this week were mostly not about new movies, which tracks. The recurring threads were about The Odyssey's IMAX run stretching into a third month, John Turturro landing a rare leading role and the awards chatter forming around it, Paul Thomas Anderson quietly locking in his next feature, and the Dungeons & Dragons sequel scrambling for a new studio after Paramount passed. Bruce Campbell showed up to answer questions, which is always a good day.

On the television side the conversation was dominated by Lanterns' viewership climb, the Silo finale thread, and a genuinely funny amount of enthusiasm for Dave Bautista's physical transformation to play Kratos in the God of War series. Bautista told the room he has "two more months to get to where I need to be," which is also, more or less, September's entire mood.

There was sad news too. Chris Langham, the BAFTA-winning actor from The Thick of It, died at 77.

The bottom line

If you want a new movie this week, it is The Runner, and it is fine. If you want a good movie this week, it is one you missed in August. If you want to actually enjoy your evening, put on Lanterns or finish Silo and let the theaters have their nap. October is coming, and it is loaded.